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The Gutter Twins conquest of Siberia
por Ripplegan el 28.03.08 20:01
Hoy en barna un homeless moribundo con botella whiskey y biblia en mano, ripplestronk creo recordar, me ecomendo su legado y abrir este valiente topic, sin Saturnalia no se haya la salvacion!!!
The Gutter Twins - Saturnalia (2008)
1. The Stations
2. God's Children
3. All Misery/Flowers
4. The Body
5. Idle Hands
6. Circle the Fringes
7. Who Will Lead Us
8. Seven Stories Underground
9. I Was in Love with You
10. Bete Noir
11. Each to Each
12. Front Street
http://rapidshare.com/files/98684676/The_Gutter_Twins_-_Saturnalia.rar
Hello Forainerss!!!
The Gutter Twins - Saturnalia (2008)
1. The Stations
2. God's Children
3. All Misery/Flowers
4. The Body
5. Idle Hands
6. Circle the Fringes
7. Who Will Lead Us
8. Seven Stories Underground
9. I Was in Love with You
10. Bete Noir
11. Each to Each
12. Front Street
http://rapidshare.com/files/98684676/The_Gutter_Twins_-_Saturnalia.rar
Hello Forainerss!!!
Última edición por Ripplegan el 04.09.08 17:25, editado 10 veces
Re: The Gutter Twins conquest of Siberia
por Djalma el 28.03.08 20:06
OTIA, otro aparecido.
Se te echaba a faltar, cuantos discos más ha grabado Lanegan desde tu desaparición?
Welcome
Se te echaba a faltar, cuantos discos más ha grabado Lanegan desde tu desaparición?
Welcome
Emilio Butragueño escribió:" ...Marcos Senna, un hombre aparentemente oscuro..."
Re: The Gutter Twins conquest of Siberia
por Ripplegan el 28.03.08 20:16
Djalma escribió:OTIA, otro aparecido.
Se te echaba a faltar, cuantos discos más ha grabado Lanegan desde tu desaparición?
Welcome
Eso es secreto confidencial, que este topic tiene que rentar todo el año, pero os dejo el video que se han currao los ederly brothers de All misery/flowers, Dulli a la bateria
, Lanegan premio a actor revelacion , cabalgatas de New Orleans, cementerios y risto mejide 
http://vids.myspace.com/index.cfm?fuseaction=vids.individual&videoid=31013073
Re: The Gutter Twins conquest of Siberia
por Ricky´s Appetite el 28.03.08 20:35
Ripplegan escribió:Djalma escribió:OTIA, otro aparecido.
Se te echaba a faltar, cuantos discos más ha grabado Lanegan desde tu desaparición?
Welcome
Eso es secreto confidencial, que este topic tiene que rentar todo el año, pero os dejo el video que se han currao los ederly brothers de All misery/flowers, Dulli a la bateria
http://vids.myspace.com/index.cfm?fuseaction=vids.individual&videoid=31013073
All Misery / Flowers
hay que modernizarse bienvenido,yo lo he visto esta mañana,buenisimo 
http://www.myspace.com/monasteriodjs
"Si que deberia pero no estamos en Deberialandia"
Iron Worm escribió:Hace más calor que follando
Re: The Gutter Twins conquest of Siberia
por Fulanazo el 28.03.08 23:16
Ricky´s Appetite escribió:Ripplegan escribió:Djalma escribió:OTIA, otro aparecido.
Se te echaba a faltar, cuantos discos más ha grabado Lanegan desde tu desaparición?
Welcome
Eso es secreto confidencial, que este topic tiene que rentar todo el año, pero os dejo el video que se han currao los ederly brothers de All misery/flowers, Dulli a la bateria
http://vids.myspace.com/index.cfm?fuseaction=vids.individual&videoid=31013073
All Misery / Flowers
Mola
"Con usted me gusta conversar, para otros menesteres prefiero al jardinero"
Re: The Gutter Twins conquest of Siberia
por pinkpanther el 28.03.08 23:26
Djalma escribió:OTIA, otro aparecido.
Se te echaba a faltar
Welcome
Re: The Gutter Twins conquest of Siberia
por Ripplegan el 28.03.08 23:29
Vamos calentando el tourrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrr...... Una entrevista donde Dulli comenta la primera vez que vio a Mark, como un vagabundo moribundo a punto de diñarla... ademas de que de una puta vez sacaran sus discos en solitario despues de esta gira, pero sin cerrar la puerta a otro album twinico...
Greg Dulli and Mark Lanegan: Once Upon a Time in L.A.
Two legendary lead singers converge, croon, confess
By JOHN ALBERT
Wednesday, March 26, 2008 - 3:30 pm
It’s only fitting that it has started to rain as I motor east on Sunset through Echo Park to meet Greg Dulli and Mark Lanegan. The two renowned troubadours of heartache and hedonistic self-destruction have recently teamed up as the Gutter Twins for an anticipated new disc called Saturnalia. I have met Dulli once before. A year ago, the two of us spent a lazy afternoon eating sloppy Joes, watching baseball and discussing the drug-fueled madness that had inspired his cathartic “cocaine symphony,” Powder Burns.
I have never met Lanegan before. My only glimpse of the man was years back on the very same stretch of Sunset near the corner of Alvarado. It was late at night when a friend gestured out my car window and spoke the singer’s name. I looked out and saw a tall and gaunt homeless-looking figure walking alone in a long coat, his head bowed.
“A great singer,” my friend said. “But he’s gonna die.”
But then Lanegan survived, flourished in fact. Both men have.
The three of us have arranged to meet at an Eastside watering hole called the Short Stop, which Dulli owns with some friends, near Dodger Stadium. Until they purchased the establishment six years back, the Shortstop was a long-standing hangout. The gun lockers are still there.
“The place is doing great,” Dulli says, as we make our way inside. “I have a new place in New Orleans too. My family owned bars back in Ohio, so this is actually a logical thing for me. My uncle Bud told me, ‘Just keep it dark so everyone looks good.’ ”
And Dulli looks good, in a sort of old-world European way — a few extra pounds, nice black suit and sharp haircut. He seems a man unapologetically in love with all that the world has to offer. We enter a private lounge that he says used to be a bail bondsmen’s office. Lanegan is there, and he is tall, with the slightly roughneck appearance of a man who might operate a carnival ride. He is also quiet, not hostile but definitely cagey. When he does speak, it’s in a raspy, cigarette-burnt whisper.
Both Dulli and Lanegan initially tasted success in the Seattle music scene of the early ’90s, alongside bands like Nirvana and Pearl Jam. Dulli fronted an outfit called the Afghan Whigs, whose major-label debut, Gentlemen, was a pounding, soul-influenced rock album drenched with anguish and frustration. Lanegan was the brooding singer for the Screaming Trees, whose sound mixed psychedelic dirge with feedback-laden Creedence Clearwater–style rock & roll.
“We’ve played in one another’s bands and on each other’s records for a while now,” Lanegan says. “So the Gutter Twins just seemed like a natural progression.”
“I think our being friends over such a long period of time lends a degree of trust that came out in the songs,” Dulli adds. “This record really comes from our friendship as much as anything.”
After their mutual successes in the ’90s, both Dulli and Lanegan respectively self-destructed, and then resurrected themselves as, arguably, far more intriguing solo artists. Dulli has released a number of records as the Twilight Singers, including 2003’s Blackberry Belle, a brooding album inspired by the drug-related death of his close friend, the film director Ted Demme. Lanegan’s solo work has explored a stark country- and blues-infused terrain similar to that of artists like Tom Waits and Townes Van Zandt. His other collaborations, with a host of musicians and in a wide variety of styles, include a stint with metal pioneers Queens of the Stone Age and a record with Scottish singer Isobel Campbell of indie-rock darlings Belle and Sebastian.
“I really like working with different people,” Lanegan explains. “I’ve been blessed because they’ve all been people where I truly love what they do. Basically, it’s a great way to keep interested in music after 20-some years.”
“After you’ve done this so long, you have your way,” Dulli adds. “And unless someone comes along and challenges that way, you run the risk of being static. I think Mark made me a far better songwriter doing this record. It forced me out of the box that I might have unwittingly built for myself and helped me evolve as an artist.”
Saturnalia is undoubtedly an evolution for the two artists, though a subtle and nuanced one. Elements from each artist’s solo work remain, and to good effect. Lanegan’s brutal confessionals merge well with Dulli’s operatic and cinematic soundscapes. In the past, they have referred to themselves as the “satanic Everly Brothers,” and it’s not that far off. The pervasive moodiness is counterbalanced by a surprising amount of heartfelt vocal harmonies. Dulli also plays a lot of Fender Rhodes (think Stevie Wonder) and Mellotron (think “Strawberry Fields”), lending the affair an intriguing post-punk gospel feel. Thematically, Saturnalia talks a lot about sin, redemption and an uncertain notion of hope, which makes perfect sense given the tumultuous arc of the duo’s pasts. In the end, the sound on Saturnalia is a sort of modern soul music, albeit for very dark souls.
“This record is kind of our Once Upon a Time in America,” Dulli says. “Maybe that’s what we should have called it. I mean, it has no overarching theme, no deaf, dumb and blind kid getting thrown in baked beans by Ann-Margret. But these songs are definitely a document of our lives.”
Perhaps surprisingly, the two veteran performers are eager to start touring and playing the songs live. The band is primarily Dulli’s Twilight Singers with a few new additions. Dulli and Lanegan, both unabashed sports fans, say they have made prior arrangements to catch NBA games in every city possible.
“The two of us have done this collectively for 40 years, so you learn what works for you,” Dulli says. “We’ve already been on tour together and been roommates. So we know we can co-exist. But then there’s still a whole lot I don’t know about Mark and probably at least five or six deep, dark secrets he still doesn’t know about me.”
Lanegan shakes his head. “From everything I do know about him, I’m not sure I want to know the rest,” he says.
When asked whether they think their followings mix well, they glance at each other. “I think we have similar audiences,” Lanegan says. “I haven’t taken a poll, but I think there’s a certain connectivity. His fans might dress a little better, though.”
“Your fans are probably more glowering and somber,” Dulli says with a grin. The two of them definitely seem to complement one another as friends and collaborators. It’s an artistic pairing that makes sense in theory and even more so on record. So much that one hopes they will do it again at some point.
“I think we’ll both make our own records after this,” Dulli says. “But the Gutter Twins is not a one-off project. As long as we’re friends and enjoy writing together, then we’ll be Poncho and Lefty. Neither one of us has been a star or a superstar, but we’ve both quietly done our things for 20 years.” He smiles. “And now we have come to proclaim our eminence.”
Greg Dulli and Mark Lanegan: Once Upon a Time in L.A.
Two legendary lead singers converge, croon, confess
By JOHN ALBERT
Wednesday, March 26, 2008 - 3:30 pm
It’s only fitting that it has started to rain as I motor east on Sunset through Echo Park to meet Greg Dulli and Mark Lanegan. The two renowned troubadours of heartache and hedonistic self-destruction have recently teamed up as the Gutter Twins for an anticipated new disc called Saturnalia. I have met Dulli once before. A year ago, the two of us spent a lazy afternoon eating sloppy Joes, watching baseball and discussing the drug-fueled madness that had inspired his cathartic “cocaine symphony,” Powder Burns.
I have never met Lanegan before. My only glimpse of the man was years back on the very same stretch of Sunset near the corner of Alvarado. It was late at night when a friend gestured out my car window and spoke the singer’s name. I looked out and saw a tall and gaunt homeless-looking figure walking alone in a long coat, his head bowed.
“A great singer,” my friend said. “But he’s gonna die.”
But then Lanegan survived, flourished in fact. Both men have.
The three of us have arranged to meet at an Eastside watering hole called the Short Stop, which Dulli owns with some friends, near Dodger Stadium. Until they purchased the establishment six years back, the Shortstop was a long-standing hangout. The gun lockers are still there.
“The place is doing great,” Dulli says, as we make our way inside. “I have a new place in New Orleans too. My family owned bars back in Ohio, so this is actually a logical thing for me. My uncle Bud told me, ‘Just keep it dark so everyone looks good.’ ”
And Dulli looks good, in a sort of old-world European way — a few extra pounds, nice black suit and sharp haircut. He seems a man unapologetically in love with all that the world has to offer. We enter a private lounge that he says used to be a bail bondsmen’s office. Lanegan is there, and he is tall, with the slightly roughneck appearance of a man who might operate a carnival ride. He is also quiet, not hostile but definitely cagey. When he does speak, it’s in a raspy, cigarette-burnt whisper.
Both Dulli and Lanegan initially tasted success in the Seattle music scene of the early ’90s, alongside bands like Nirvana and Pearl Jam. Dulli fronted an outfit called the Afghan Whigs, whose major-label debut, Gentlemen, was a pounding, soul-influenced rock album drenched with anguish and frustration. Lanegan was the brooding singer for the Screaming Trees, whose sound mixed psychedelic dirge with feedback-laden Creedence Clearwater–style rock & roll.
“We’ve played in one another’s bands and on each other’s records for a while now,” Lanegan says. “So the Gutter Twins just seemed like a natural progression.”
“I think our being friends over such a long period of time lends a degree of trust that came out in the songs,” Dulli adds. “This record really comes from our friendship as much as anything.”
After their mutual successes in the ’90s, both Dulli and Lanegan respectively self-destructed, and then resurrected themselves as, arguably, far more intriguing solo artists. Dulli has released a number of records as the Twilight Singers, including 2003’s Blackberry Belle, a brooding album inspired by the drug-related death of his close friend, the film director Ted Demme. Lanegan’s solo work has explored a stark country- and blues-infused terrain similar to that of artists like Tom Waits and Townes Van Zandt. His other collaborations, with a host of musicians and in a wide variety of styles, include a stint with metal pioneers Queens of the Stone Age and a record with Scottish singer Isobel Campbell of indie-rock darlings Belle and Sebastian.
“I really like working with different people,” Lanegan explains. “I’ve been blessed because they’ve all been people where I truly love what they do. Basically, it’s a great way to keep interested in music after 20-some years.”
“After you’ve done this so long, you have your way,” Dulli adds. “And unless someone comes along and challenges that way, you run the risk of being static. I think Mark made me a far better songwriter doing this record. It forced me out of the box that I might have unwittingly built for myself and helped me evolve as an artist.”
Saturnalia is undoubtedly an evolution for the two artists, though a subtle and nuanced one. Elements from each artist’s solo work remain, and to good effect. Lanegan’s brutal confessionals merge well with Dulli’s operatic and cinematic soundscapes. In the past, they have referred to themselves as the “satanic Everly Brothers,” and it’s not that far off. The pervasive moodiness is counterbalanced by a surprising amount of heartfelt vocal harmonies. Dulli also plays a lot of Fender Rhodes (think Stevie Wonder) and Mellotron (think “Strawberry Fields”), lending the affair an intriguing post-punk gospel feel. Thematically, Saturnalia talks a lot about sin, redemption and an uncertain notion of hope, which makes perfect sense given the tumultuous arc of the duo’s pasts. In the end, the sound on Saturnalia is a sort of modern soul music, albeit for very dark souls.
“This record is kind of our Once Upon a Time in America,” Dulli says. “Maybe that’s what we should have called it. I mean, it has no overarching theme, no deaf, dumb and blind kid getting thrown in baked beans by Ann-Margret. But these songs are definitely a document of our lives.”
Perhaps surprisingly, the two veteran performers are eager to start touring and playing the songs live. The band is primarily Dulli’s Twilight Singers with a few new additions. Dulli and Lanegan, both unabashed sports fans, say they have made prior arrangements to catch NBA games in every city possible.
“The two of us have done this collectively for 40 years, so you learn what works for you,” Dulli says. “We’ve already been on tour together and been roommates. So we know we can co-exist. But then there’s still a whole lot I don’t know about Mark and probably at least five or six deep, dark secrets he still doesn’t know about me.”
Lanegan shakes his head. “From everything I do know about him, I’m not sure I want to know the rest,” he says.
When asked whether they think their followings mix well, they glance at each other. “I think we have similar audiences,” Lanegan says. “I haven’t taken a poll, but I think there’s a certain connectivity. His fans might dress a little better, though.”
“Your fans are probably more glowering and somber,” Dulli says with a grin. The two of them definitely seem to complement one another as friends and collaborators. It’s an artistic pairing that makes sense in theory and even more so on record. So much that one hopes they will do it again at some point.
“I think we’ll both make our own records after this,” Dulli says. “But the Gutter Twins is not a one-off project. As long as we’re friends and enjoy writing together, then we’ll be Poncho and Lefty. Neither one of us has been a star or a superstar, but we’ve both quietly done our things for 20 years.” He smiles. “And now we have come to proclaim our eminence.”
Re: The Gutter Twins conquest of Siberia
por La Motta el 29.03.08 0:06
All Misery Flowers es, junto con Idle Hands, la única que me pone del disco.
Me da pena que no me guste, con todo lo que adoro a Dulli y a Lanegan.
Me da pena que no me guste, con todo lo que adoro a Dulli y a Lanegan.
Re: The Gutter Twins conquest of Siberia
por Ripplegan el 29.03.08 22:23
Attention, nuevas canciones añadidas al repertorio de la gira:
Hit the City (de bubblegum)
Land of Cotton/ aka Look Away Dixieland
St. James Infirmary Blues (folksong of anonymous origin.)
Belles (Una cover de un nuevo grupo llamado Vervatir)
Hit the City (de bubblegum)
Land of Cotton/ aka Look Away Dixieland
St. James Infirmary Blues (folksong of anonymous origin.)
Belles (Una cover de un nuevo grupo llamado Vervatir)
Re: The Gutter Twins conquest of Siberia
por Poison Ivy el 30.03.08 5:47
Ripplegan escribió:
Look Away Dixieland
El mismo que cantaba Elvis?
Re: The Gutter Twins conquest of Siberia
por charly el 30.03.08 18:43
Alguien quiere comprarme la entrada?
Es para el sábado 26 de abril en BCN.
La compré sin acordarme que debo asistir a una boda
Ya direis algo, gentuza.
Es para el sábado 26 de abril en BCN.
La compré sin acordarme que debo asistir a una boda
Ya direis algo, gentuza.
Es algo irreversible
Re: The Gutter Twins conquest of Siberia
por Ripplegan el 30.03.08 22:47
charly escribió:Alguien quiere comprarme la entrada?
Es para el sábado 26 de abril en BCN.
La compré sin acordarme que debo asistir a una boda
Ya direis algo, gentuza.
Te prometo dar el turre con su proxima visita, a ver si tienes suerte, sino no se me ocurre mejor orquesta de boda, que Dulli cantando temas de Supremmes, Outkast etc...
Re: The Gutter Twins conquest of Siberia
por BlasFree el 30.03.08 23:20
Ricky´s Appetite escribió:
All Misery / Flowers
No los conocía, me encanto la cancion y le voy dar una oportunidad al disco
gracias
Re: The Gutter Twins conquest of Siberia
por miss furby el 30.03.08 23:59
Me encaaaaannntaaa, como se nota la mano de Dully, the hand of god
GT al ARF08!
que ganas de que pasen los días!
GT al ARF08!
que ganas de que pasen los días!
Re: The Gutter Twins conquest of Siberia
por KIM_BACALAO el 31.03.08 0:04
miss furby escribió:Me encaaaaannntaaa, como se nota la mano de Dully, the hand of god
GT al ARF08!
que ganas de que pasen los días!
hey, hola guapa!
ya os ha costado!
fuisteis al monas ayer al final, no?
a ver si contáis qué tal estuvo en su correspondiente topic!
Up Your Ass Tray escribió:El chino me dijo que eran grandes
Re: The Gutter Twins conquest of Siberia
por miss furby el 01.04.08 20:23
holaaa Bakaluatuttti esta cosa no envía mails, tengo que mirar el perfil a ver que pasa...
GREEN MANALISHI Enoooorrmeeeessssssss as usual.
hombre ultimamente me repito más que el ajo, pero ....
Green Manalishi al ARF08!!!!
se lo merecen
GREEN MANALISHI Enoooorrmeeeessssssss as usual.
hombre ultimamente me repito más que el ajo, pero ....
Green Manalishi al ARF08!!!!
se lo merecen
Re: The Gutter Twins conquest of Siberia
por Ripplegan el 02.04.08 0:57
miss furby escribió:Me encaaaaannntaaa, como se nota la mano de Dully, the hand of god
GT al ARF08!
que ganas de que pasen los días!
Otra captada para la secta Saturna, bien bien...
Que hay del festival Post-Twin en el monasteriolol??
Me encanta esta foto
Re: The Gutter Twins conquest of Siberia
por Ripplegan el 02.04.08 10:48
Enesima colaboracion para este año de mr.Lanegan
Esta vez ha rescatado del olvido a Bomb The Bass uno de los tantos proyectos de Tim Simenon, digo rescatados porque llevaban 14 años sin sacar nada a la luz. ‘Future Chaos’ sera el album en cuestion y es basicamente un album hecho con minimogg y sendas colaboraciones; Mark Lanegan pone las voces y da lustre a Black River.
http://www.myspace.com/bombthebass
Esta vez ha rescatado del olvido a Bomb The Bass uno de los tantos proyectos de Tim Simenon, digo rescatados porque llevaban 14 años sin sacar nada a la luz. ‘Future Chaos’ sera el album en cuestion y es basicamente un album hecho con minimogg y sendas colaboraciones; Mark Lanegan pone las voces y da lustre a Black River.
http://www.myspace.com/bombthebass
Re: The Gutter Twins conquest of Siberia
por Ripplegan el 02.04.08 23:13
Nuevo bolo de los Twins en Dimeadozen, grabado para un programa de radio, incluye el autentico hit de esta gira que es Down the line
THE GUTTER TWINS
Seattle, WA
Mar 4/08 @ KEXP Studios - 90.3 KEXP "Midday Show" FM Radio Afternoon Broadcast / Webcast + Interview
A/A+
17:34
1. intro
2. the body
3. chat
4. i was in love with you
5. chat
6. down the line (jose gonzalez cover)
7. outro
http://www.dimeadozen.org//torrents-details.php?id=187440&viewcomm=2388936
THE GUTTER TWINS
Seattle, WA
Mar 4/08 @ KEXP Studios - 90.3 KEXP "Midday Show" FM Radio Afternoon Broadcast / Webcast + Interview
A/A+
17:34
1. intro
2. the body
3. chat
4. i was in love with you
5. chat
6. down the line (jose gonzalez cover)
7. outro
http://www.dimeadozen.org//torrents-details.php?id=187440&viewcomm=2388936
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